On August 14, 1947, when Pakistan became a sovereign state, Pakistan inherited many things from colonial rule, because there was no developed source of knowledge and information other than what the ruler adopted and left for himself.
The United Kingdom controlled a very monarchy under the Mughal dynasty, but when they left, it must adopt all the famous democratic political systems; these powers used to be where the emperor once sat, in the future. The governor, the president and the prime minister are closely linked. The military, social institutions, music, sports, fashion, food, architecture and management, in short, all walks of life absorb and display a large number of post-colonial Western influences, because this theory is considered to be the best and the most A suitable one. Connections with the ruling and powerful classes.
Due to the total squeezing of Persian, partly from Arabic, the language encompasses both modern and non-traditional styles; from Neil to Kasgar, these two key languages have always been a distinguishing and intelligent sign of the Muslim community. Modern Muslims, especially with the new liberal policy of the Mohammed Anglo Indian Conference and the college of Aligarh College, which later became a university, have a good understanding of new philosophy, psychology, architecture after being in a position in modern politics. 1947 8 On the 14th, after the birth of a new country in Pakistan, the class actually took over science and all other branches of literature and art. Therefore, our joint introduction to Pakistani art is mostly a source of inspiration for early Western modern art. 20th century; a fragment of post-modern American or post-war European art.
In the early days of Pakistan, Anna Morka Ahmed was in Lahore, an immigrant artist from the UK and the first generation of Pakistani artists in the Fine Arts Department of the Punjab University she founded in 1940. The department produced the first four teachers who later influenced the early art of Pakistan; they were Anwar Afzal, Zakia Malik Sheikh, Razzia Feroz and Nasim Hafeez Qazi.
On the other hand, there is Zubeda Agha, who was trained at BS Saniyal and Italian prisoner Mario Perlingieri. Later, she received art education in the West, and was therefore strongly influenced by Western style and technology. Zubeda rejects the traditional style of painting, and despite being resisted by local criticism, it is still the first modernist color.
At the same time, Anna Molka tried to capture the topic of religion and folklore, but because she was an expressionist, she expressed local animals and flora through "knife" and "palette". 39; her technique. Sometimes Anna just squeezes out the colored tubes on the canvas and drags it with a knife to get the desired spontaneity and relief texture. Therefore, she created the earth theme, but it is very western in terms of technology.
Given that the native style was attributed to the Mughal Mini School, it was later popular on the hills of the Himachal Mountains [Basohli, Chamba, Guler, Kangra and Bilaspur] until the Sikh era. Ustad Haji Sharif is one of the representatives of court-style paintings. His ancestors have long-term contacts with the royal court of Patiala, the important Sikh nation in Punjab, India. . After he moved to Lahore, Ustad Sharif taught his knowledge and taught the ultimate skills of book lighting and illustrations in the Fine Arts Department and the Mayo School of Art [NCA] Lahore.
Another Ustad, Alabah, the lines of tradition and realism in the East contributed to the early days of Pakistani painting. Alah Bakhsh portrays rich culture and folklore as well as the romantic style of the theme, especially when he places folk love stories like Heer Ranjha and Sohni Mahiwal on the canvas, while he is in modern art. Under the influence of romantic painters, in the West, mysterious canvases such as "Talism-i Hoshruba" were exhibited.
In this evolutionary process, secular-style miniature paintings breathe in Kolkata, and Abhiander Nath Taygore is a great supporter of advanced technology. This style inspired Abd al-Rehman Chughtai's free-flowing hand, who evolved the Bangladeshi miniature painting into an unparalleled height. With the exception of Chughtai, no one can, in fact, retain the standards of lyrical quality, soft diffuse pigment layers and stylized methods, and although few people are trying to become familiar with the technology, Chughtai has gained wisdom and education in this field. The art of the local and foreign, as well as the intellectuals around him, with the image of his reorganized friend, made him the only example of his own style; Chughtai style.
Later, Pakistan was spelled by a magician, Sadequian: a painter with dramatic, dramatic themes and very rough line quality, drawing textures in the picture to discover the philosophical and poetic themes inspired by the artist in great inspiration. Level. The impulse of Sadequian's loud communication led Sadequian to turn to calligraphy painting, which later became his identity and displayed on large scales such as the ceilings and murals of the Lahore Museum and Mangla Dam. Ismail Gulgee is another advertiser in the style of calligraphy and painting. It is considered "Islamic Art" and contrasts with figurative art and has gained popularity in religious groups. Extremely non-figurative art was recognized in the market and flourished in the unfavorable environment of military-Islamic rule in the 1980s.
If we look at the academic inspiration besides Anna Morka, we might find Shaquille Ali standing in a unique scene of high, he uses very simple and rhythmic paintings as flat tones of red, orange and blue. Color and different lines. His texture in the flat color area is simple, but ingeniously shaped and ingeniously balanced. His presence at the Lahore National Academy of Arts allowed many people to follow him to acquire the new technology and modern technology he had acquired while studying in London.
In Western art, Cezanne, Van Gogh and Gauguin were selected and later became the initiators of Cubism, Expressionism and Fauvism. In this model, we can divide the followers of Pakistani art, Chughtai, Sadeqauin and Shakir Ali in three ways. However, since the latter is the principal and teacher of the refurbished art institution, his influence is enormous. For this reason, we can see that his followers are in the shape of Panj Piyare [five lovers], just like Akbar's Navratna. These people are Raheel Akbar Javed, Sheikh Safdar, AJ Shamza, Ali Imam and Moyene Najmi. Another reason for this popularity is Shakir's style and theme introduced in the late 1960s and early 1970s. These styles and themes are more practical and tangible in execution, even depicting the most abstract and intangible ideas. , with the epitome of Chughtai or the poetic theme canvas of Sadequain.
The institutions of Pakistan teach the education of Western routes, and the ancient masters of traditional local style, most of them bring their art to their graves, except for a few students.
In terms of calligraphy, Ahmed Pervez and AJ Shamza are names that contribute to the collective image of Pakistani art in their own style, but others have made a greater contribution. Khalid Iqbal is a man who can be called a master of landscape painting. With his local colors and Western techniques, he creates fascinating prospects and depth by controlling the tons formed by diffuse tones. He introduced modern realism to Pakistan and forced many people to be inspired. Khalid's appearance, first in the art department, and later in the NCA, inspired a generation of artists in his father's attitude. His immersed but soft canvas records the different shades of Pakistani soil.
Saeed Akhtar is another talented graduate of NCA. He is a capacity drafter who solves his drawing problems by adopting and applying observations. He encountered this problem when modeling sculpture. A method of mastering three-dimensional figurative and portraits. Realistic and accurate rendering becomes a sign of respect.
With its philosophy and abstract approach, Zahoor al-Akhlaq reinforces the conceptual foundation of modern art in Pakistan and enables NCA to adopt modern style and techniques in painting.
Punjab University published Colin David, the most talented and controversial student of Anna Morka for a number of reasons, but he is a sacred linear excellent draftsman who is very fortunate. His figurative work demonstrates his anatomy expertise, enabling him to introduce Rubens and Raphael's Pakistani art in an exaggerated way.
Zulqarnain Haider, beginning with the extension of Khalid Iqbal, used landscapes of almost similar style, but gradually, the blood of Kashmir's restlessness accepted the new challenge that nature placed before him in changing light, intervening in the branches and stretching the land; Capture them from their feet to the vanishing point on the horizon and even further.
Ghulam Rasul adds style to his landscape and enriches the color of his paintings. He also uses the hills of Potohar as a grey background behind the lush green fields.
Contrary to Khalid Iqbal and the company's modern realism, Zubeda Javed became a painter with a strong imagination. She is one of the rare female painters in Pakistan. He uses modernity...
Orignal From: Green palette
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